Participants

Name	Affiliation	Contact Details	Research
Annabel Talbot	Bowes Museum	Annabel.Talbot@thebowesmuseum.org.uk	Assistant Curator, Department of Textile and Fashion
Joanna Hashagen	Bowes Museum	joanna.hashagen@thebowesmuseum.org.uk	Chief Curator
Emma House	Bowes Museum	emma.house@thebowesmuseum.org.uk	Curator of Fine Arts
Lisa Monnas	Independent Scholar	lisa.monnas@btinternet.com	Medieval and Early Modern Textiles.
Jenny Tiramani	The School of Historical Dress	jtiramani@theschoolofhistoricaldress.org.uk	Extant European men's and women's clothing c.1500-1800, with a focus on the evolution of tailoring and staymaking techniques.
Emmanuele Lugli	University of York	Emmanuele.lugli@york.ac.uk	Mediterranean art, architecture and visual culture from 1000-1500, with an emphasis on the nexus between art, politics, science and technology.
Cordula van Wyhe	University of York	Cordula.vanwyhe@york.ac.uk	Research interests lie in early modern cultural history with particular reference to the seventeenth-century Low Countries. Major interests include religious and political imagery, royal patronage, and early modern court culture.
Susan Vincent	University of York	Susan.vincent@york.ac.uk	Cultural history of dress in Early Modern England, and has now expanded her research interests to include dress practices up to the present day.
Sophie Littlewood	University of York	Sal502@york.ac.uk	Research focuses on late sixteenth- and early seventeenth-century British armour within the contexts of male identity and the masculine body, court culture, display and performance.
Ulinka Rublack	University of Cambridge	ucr10@cam.ac.uk	History of dress and material culture in early modern Europe, visual history, gender history as well as Reformation history.
Claire Canavan	University of York	Cc586@york.ac.uk	Narratives of needlework in early modern England c1580-1680.
Maria Hayward	University of Southampton	m.hayward@soton.ac.uk	Tudor and Stuart material culture especially textiles and clothing. This includes the changing style of garments and accessories, their cut and construction and the networks of suppliers and makers involved in their production. Other research interests include the links between the court at Westminster and the city of London, early modern gift giving, early modern jewellery and jewellers, and what people wore to their executions.
Betsy Wieseman	National Gallery	Betsy.wieseman@ng-london.org.uk	Curator of Dutch and Flemish Paintings
Joanne Woodall	Courtauld Institute of Art	joanna.woodall@courtauld.ac.uk	Netherlandish art from about 1540-1670, particularly painting and prints, in the broader context of developments in European art and the construction of knowledge.
Jenny Tiramani	The School of Historical Dress	jtiramani@theschoolofhistoricaldress.org.uk	Extant European men's and women's clothing c.1500-1800, with a focus on the evolution of tailoring and staymaking techniques.
Stephen Zawodzinski	University of York	stz502@york.ac.uk
Aileen Ribiero	The Courtauld Institute of Art	aileen.ribiero@courtauld.ac.uk	History of dress from the 17th century to the present day, with particular reference to the analysis of dress in art. Also 18th-century masquerades, the aesthetics of dress and the body and Spanish dress as perceived by the English in the early Stuart period

From Thread to Pigment: Interdisciplinary Approaches to the History of Costume in Early Modern Europe