- Department: Centre for Women's Studies
- Credit value: 20 credits
- Credit level: H
- Academic year of delivery: 2023-24
From Rokeya Sahkawat Hossain’s Sultana’s Dream (1905) through Shulamith Firestone’s The Dialectic of Sex (1970) to Lola Olufemi’s Experiments in Imagining Otherwise (2021), imagining different, more hopeful feminist worlds has been an important and creative feminist impulse and practice since the beginnings of what we might loosely term feminist politics. And in the current context of late-stage capitalism, climate emergency, and surges in right-wing populism, engaging with such acts of creative feminist world-making becomes particularly urgent. Global and interdisciplinary in scope, this module explores a variety of feminist texts in the cultural and historical contexts in which they emerged: feminist manifestos and theoretical writing; guides to alternative relationships, lifestyles, pedagogy; feminist creative practice in the form of literature, art, and film. It asks: what feminist worlds have been imagined across space and time and what forms have those imaginings taken? What can we learn from these acts of creative feminist imagining and what new, as yet unimagined feminist worlds might be possible?
Occurrence | Teaching period |
---|---|
A | Semester 2 2023-24 |
Global and interdisciplinary in scope, this module explores a variety of feminist texts in the cultural and historical contexts in which they emerged: feminist manifestos and theoretical writing; guides to alternative relationships, lifestyles, pedagogy; feminist creative practice in the form of literature, art, and film. It asks: what feminist worlds have been imagined across space and time and what forms have those imaginings taken? What can we learn from these acts of creative feminist imagining and what new, as yet unimagined feminist worlds might be possible?
Demonstrate a critical and nuanced understanding of how feminists and/or those furthering a feminist politics have responded to the world through creative and imaginative political expression in a variety of cultural and historical contexts
Critically analyse a range of feminist cultural texts by means of appropriate inter/disciplinary feminist methods and methodologies
Critically assess how gendered lives are affected by wider socio-political and cultural issues in diverse contexts, with a nuanced understanding of the intersections between feminist thought and wider socio-cultural debates
Present complex arguments cogently and with nuance, both in oral and written form.
Task | % of module mark | Group |
---|---|---|
Essay/coursework | 100 | A |
Essay/coursework | 100 | B |
None
Assessment for this module takes the form of either a critical essay (of 3000 words) or a creative text/artifact (of up to 1000 words) plus critical reflection (of 1500-2000 words).
Task | % of module mark | Group |
---|---|---|
Essay/coursework | 100 | A |
Essay/coursework | 100 | B |
You will receive feedback on all assessed work within the University deadline.
Askew, Kelly. ‘Umoja. No Men Allowed. Review’ (2014) African Studies Review. 57.3: 271-273.
Born in Flames (1983) Dir. by Lizzie Borden. US.
Davis, Angela (2003) Are Prisons Obsolete? New York: Seven Stories.
Easton, Dossie, and Janet W. Hardy (2009) The Ethical Slut: A Practical Guide to Polyamory, Open Relationships and Other Adventures. Berkeley, CA.: Celestial Arts.
Firestone, Shulamith (1979) The Dialectic of Sex: The Case for Feminist Revolution. London: Women’s Press.
Gilman, Charlotte Perkins (2010 [1915]) ‘Herland’. In The Yellow Wall-Paper, Herland, and Selected Writings. London: Penguin.
Hossain, Rokeya Sahkawat (2022 [1905]) Sultana’s Dream and Padmarag: Two Feminist Utopias. London: Penguin.
Kollontai, Alexandra (1997) Alexandra Kollontai: Selected Writings. London: Allison and Busby.
Lugones, María (2003) Pilgrimages/Peregrinajes. Theorizing Coalition against Multiple Oppressions. Lanham, Maryland: Rowman & Littlefield Publishers.
Olufemi, Lola (2021) Experiments in Imagining Otherwise. Maidstone: Hajar Press.
Som, Bishakh (2020) Apsara Engine. New York City: The Feminist Press.
Tibol, Raquel (1999) Frida Kahlo: An Open Life. Trans. by. Elinor Randall. University of New Mexico Press.
Umoja. No Men Allowed. (2010) Dir. by Elizabeth Tadic. Australia/Kenya.