Department: Theatre, Film, Television and Interactive Media
Credit value: 20 credits
Credit level: H
Academic year of delivery: 2022-23
See module specification for other years:
2023-242024-25
Module summary
Researchers are the foundation on which television programmes (and quite a few movies) are built. And TV research is the platform from which the majority of broadcast careers are launched. Quite simply: without the researcher’s ability to identify stories, assemble facts, draft scripts, cast contributors and secure locations and co-operation, few documentaries would ever get made, few popular factual shows would ever leave the development phase, and quite a few light entertainment shows would struggle for participants and contestants.
This module will introduce students to some of the key skills that combine to make a successful TV researcher. It will cover underlying disciplines like story-finding and casting. It will focus on ethics and compliance and the researcher’s duties to both contributor and broadcaster. It will explore different programme forms and formats and how the researcher adapts their practice to different editorial demands. And it will expose students to some of the professional procedures - the story conference, the development round-table and the producer scrutiny - which characterise how researchers actually go about their business in the industry.
Module will run
Occurrence
Teaching period
A
Autumn Term 2022-23
Module aims
To understand the role of a television researcher on factual and dramatic programmes.
To learn how to find and evaluate stories; and write research briefs and factual scripts.
To learn how to set up a shoot, including finding and contracting contributors and locations.
To understand the compliance process and legal requirements for television production.
Module learning outcomes
At the end of this module students will be able to
Come up with valid ideas for TV stories.
Understand how to research and develop factual stories for television.
Suggest the best way to tell a particular story on TV.
Understand how to find and contract contributors
Understand how to find and contract locations
Be able to write research briefs and short factual scripts.
Understand broadcast compliance and location law, including copyright and trespass.
Understand a researcher's ethical obligations to their contributors.
Indicative assessment
Task
% of module mark
Essay/coursework
70
Essay/coursework
30
Special assessment rules
None
Indicative reassessment
Task
% of module mark
Essay/coursework
70
Essay/coursework
30
Module feedback
Students will receive written feedback on all assessments and reassessments.
Indicative reading
BBC Producers Guidelines.
Ofcom Regulations
Barry Hampe, Making Documentary Films and Reality Videos, Owl books
Andy Glynne, Documentaries and how to make them, Creative Essentials.
Gary Hudson and Sarah Rowlands, The Broadcast Journalism Handbook, Pearson
Alan Rosenthal, Writing, Directing and Producing Documentary Films and Videos, Southern Illinois University Press
Ivor Yorke, The Technique Of Television News, London, Focal.
Gordon Croton, From Script To Screen: Documentaries, Borehamwood, BBC Television Training.
Paul Kriwaczek, Documentary For The Small Screen, Oxford: Focal.
Chater, Kathy (1998) Production Research: An Introduction, Oxford: Focal Press
Chater, Kathy (1995) The Television Researcher s Guide, London, BBC TV Training
Chater, Kathy (1998) The Television Researcher s Handbook, London, BBC TV Training.
Hart, Colin, (1999), Television Program Making, Oxford: Focal Press.
Walls, Susan (2005), How to Get a Job in Television, How To Books.