Today’s production and postproduction technologies enable filmmakers an unprecedented level of creative control over picture and sound. In this module you will explore how audio and video can be generated, manipulated, and transformed. You will experiment with techniques and workflows for special effects and sound design and production. You will also explore the use of creative and experimental picture and sound design for storytelling in film and television.
Occurrence | Teaching period |
---|---|
A | Spring Term 2022-23 to Summer Term 2022-23 |
Upon completion of this module students are expected to be able to:
Task | % of module mark |
---|---|
Essay/coursework | 50 |
Essay/coursework | 50 |
None
Task | % of module mark |
---|---|
Essay/coursework | 50 |
Essay/coursework | 50 |
written feedback for submitted project and for technical report.
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Dodge, C. and Jerse, T. (1997). Computer Music: Synthesis, Composition, and Performance. New York: Schirmer Books.
Wyatt, H and Amyes, T. (2003). Audio Post Production for Television and Film: An introduction to technology and techniques. Amsterdam and London: Focal Press.
Watkinson, J. (2002). An introduction to Digital Audio. London and Amsterdam: Focal Press.
Roads, C. (1995). The computer music tutorial. Cambridge, MA: The MIT Press.
Ifeachor, E & Jervis, B. (2002). Digital Signal Processing: A Practical Approach. 2nd Edition. Prentice Hall
Binkmann, Ronn, (2008). The Art and Science of Digital Compositing , Morgan Kaufmann.
Luther, A and Ingilis, A (1999). Video Engineering. 3rd Edition. New York and London: McGraw-Hill.
Watkinson, J. (2001). Video Engineering Amsterdam and London: Focal Press.
Clarke, R. (1996). Digital Compression of Still Images and Video. London and New York: Academic Press.
Shiffman, D. (2008). Learning Processing: A Beginner's Guide to Programming Images. Animation and Interaction. (1st ed.). Morgan Kaufmann.
Reas, C. and Fry, B. (2010). Getting Started with Processing. (1st ed.), Make.