To provide an inter-disciplinary course structure in which students explore all stages of the film creation process
To provide a comprehensive grounding in the application of picture and sound technologies and production methods in the film production process
Module learning outcomes
Upon completion of this module students are expected to be able to:
Demonstrate an understanding of the roles and responsibilities of crew members and their position within the overall film production framework
Demonstrate an ability to develop, refine and present film program concepts in both written and visual form
Demonstrate an ability to analyse story and script requirements to develop an effective production strategy
Demonstrate an ability to prepare for and manage film pre-production including script development
Module content
Identifying suitable stories for film; developing the story concept; presenting the story concept and pitching; refining story and creating script
Indicative assessment
Task
% of module mark
Essay/coursework
30
Essay/coursework
70
Special assessment rules
None
Indicative reassessment
Task
% of module mark
Essay/coursework
30
Essay/coursework
70
Module feedback
Students will receive written feedback on all assessments and reassessments.
Indicative reading
Quinn, E & Counihan, J ‘The Pitch’ Faber and Faber, 2006, ISBN: 0-571-227414
Katz, Steven, ‘Film Directing Shot by Shot’ Michael Wiese Productions, 1991, ISBN 0-941188-10-8
Proferes, N ‘Film Directing Fundamentals’, 3rd edition, Focal Press, 2008, ISBN 0-240-809408
Wyatt, H and Amyes, T ‘Audio Post Production for Television and Film: An introduction to technology and techniques’, Focal Press, 2003, ISBN 0-240-51947-7
Yewdall, D.L., ‘Practical Art of Motion Picture Sound’ Focal Press, 2003, ISBN 0-240-80525-9