- Department: Theatre, Film, Television and Interactive Media
- Credit value: 10 credits
- Credit level: M
- Academic year of delivery: 2022-23
An exploration of the technical and creative opportunities of spatial audio, including multichannel recording techniques and mixing for surround sound.
Occurrence | Teaching period |
---|---|
A | Spring Term 2022-23 |
To introduce the basic concepts of spatial hearing, recording, production and surround-sound reproduction.
To explore the possibilities and limitations offered by many of the common surround-sound formats found across the industry and wider field.
To explore the creative possibilities of working with multi-channel audio and surround-sound reproduction across different formats and delivery media.
To experiment with surround-sound location recording.
To develop an appreciation of spatial audio research and how it works with, informs, and is driven by industry requirements.
To work towards the completion of a major surround-sound work that must at least in part be informed by or adhere to current industry formats.
Upon completion of this module students are expected to be able to:
Demonstrate an understanding of human auditory localisation mechanisms.
Demonstrate an understanding of spatial audio concepts.
Demonstrate an understanding of the most commonly used surround-sound delivery and playback formats.
Compare and contrast spatial audio recording techniques
Plan, carry out, edit and make use of location based multi-channel audio recordings.
Arrange, produce, demonstrate and author surround-sound audio works.
Highlight key directions for future spatial audio research.
Support their creative output with comprehensive and reasoned technical documentation as well as a reflective analysis of the finished work.
Task | % of module mark |
---|---|
Essay/coursework | 75 |
Essay/coursework | 25 |
None
Task | % of module mark |
---|---|
Essay/coursework | 75 |
Essay/coursework | 25 |
Students receive feedback every week through formative tasks designed to monitor their progress. Formal feedback on the summative assessment is submitted in the summer term.
McCormick, T. & Rumsey, F. (2002) Sound and Recording: An Introduction, 4 th Ed. Amsterdam and London: Focal Press.
Blauert, J. (1996) Spatial Hearing - Revised Edition. Cambridge MA: MIT Press.
Bartlett, G. and Bartlett J. (2002) Practical Recording Techniques. Amsterdam and London: Focal Press.
Holman, T. (2000) 5.1 Surround Sound Up and Running. Amsterdam and London: Focal Press.
Rumsey, F. (2001) Spatial Audio. Amsterdam and London: Focal Press.
Streicher, R. and Alton Everest, F. (2006) The New Stereo Soundbook, Third Edition, Audio Engineering Associates.
Begault, D. R. (1994) 3-D Sound for Virtual Reality and Multimedia. Cambridge, MA: Academic Press Professional.
OTHER RESOURCES:
Schoeps Microphones: http://www.schoeps.de/en/home
Ambisonics: http://www.ambisonic.nethttp://www.soundfield.com
Dolby Labs: http://www.dolby.com