Studying at York
Comedy: Performance & Analysis - TFT00001I
- Department: Theatre, Film, Television and Interactive Media
- Credit value: 20 credits
- Credit level: I
- Academic year of delivery: 2023-24
- See module specification for other years: 2022-23
Module summary
In this module you will encounter, analyse, and perform excerpts from a wide range of comedic texts and performances. Through close analytical investigation and practical experiment you will be encouraged to apply theories of laughter and performance analysis in order to gain an understanding of the structures of comedy which underlie plays, stand-up and screen performance across a wide historical range.
Module will run
| Occurrence | Teaching period |
|---|---|
| A | Semester 2 2023-24 |
Module aims
The module aims:
- To introduce you to the study of comedic writing and performance across media and over extended time-spans
- To deepen your understandings of why and how different performances have been considered comedic, and the various ways they might provoke laughter
- To facilitate explorations, through performance experiment and close analysis, of how comic writing functions, and how it is translated into performance
Module learning outcomes
By the end of the module, you will be expected:
- To understand and be able to apply theories and structural analyses of comedic writing and performance
- To have developed their performance skills in comedy
- To have expanded their awareness and understanding of comedic performance traditions up to the present day
Module content
The module is based on lectures and seminar/workshops, culminating in a short performance extract and an oral presentation. The lectures will introduce a number of influential theories of comedy, and will also invite analysis of multiple examples of comic texts and performances across stage, stand-up and screen, spanning a wide time period. You will be invited to bring your own tastes and knowledge of comedy to the module, and to engage fully with the examples brought by lecturers and your fellow students. Through comparison and analysis, we will look for the patterns and traditions which underlie comic forms, and you will be invited to explore these further through your own performance and presentation.
Indicative assessment
| Task | % of module mark |
|---|---|
| Oral presentation/seminar/exam | 75 |
| Practical | 25 |
Special assessment rules
None
Additional assessment information
Formative feedback and the development of presentation skills are embedded into the seminar-workshop format throughout the semester.
*For summative assessments, students will lose 3 marks per workshop, seminar or practical missed for this module.
Indicative reassessment
| Task | % of module mark |
|---|---|
| Oral presentation/seminar/exam | 75 |
| Practical | 25 |
Module feedback
You will receive written feedback in line with standard University turnaround times.
Indicative reading
Aitken, M. (1996). Style: Acting in High Comedy. New York; London: Applause, 1996.
Bevis, M. (2013). Comedy: A Very Short Introduction. Oxford: Oxford University Press.
Davis, J. (2017). Farce. London: Routledge.
Lee, S. (2010). How I Escaped My Certain Fate: The Life and Deaths of a Stand-up Comedian. London: Faber and Faber.
McKeague, M. (2021). Comedy comes in threes: developing a conceptual framework for the comic triple humour technique. Comedy Studies. 12:2. 174-185.
Palmer, J. (1987). The Logic of the Absurd: on Film and Television Comedy. London: BFI Publishing.
Palmer, J. (1994). Taking Humour Seriously. London; New York: Routledge.
Wright, J. (2006). Why Is That So Funny?: A Practical Exploration of Physical Comedy. London: Nick Hern Books.
Weitz, E. (2009). The Cambridge Introduction to Comedy. Cambridge: Cambridge University Press.
Weitz, E. (2016). Theatre & Laughter. Basingstoke: Palgrave Macmillan Education.
Comedy Studies journal
Performances and texts will differ from year to year, and will be shaped by lecturer and student interests.