To develop theoretical and practical knowledge of audio production for pop, rock and dance production methods.
To demonstrate, as well be able to fully justify and place in the context of current practice, the use of recording and processing technology to create and shape such productions.
To develop listening skills, and a systematic evaluation methodology, for identification and critique of audio recording and production styles.
Module learning outcomes
Subject Content:
Students should have an appreciation of the contemporary aesthetics, as well as historical development over the last fifty years, of interventionist production techniques and technologies associated with rock, pop and dance genres.
Students should understand the concepts 'studio as musical instrument' and 'producer as composer'.
Students should be able to use the Music Research Centre recording studios for audio recording, mixing and mastering which demonstrates a high degree of competence and awareness of current practice.
Students should understand the use and historical context of the generic Digital Audio Workstation as a production tool, and demonstrate a high level of competence in the use of at least one DAW software application.
Students should have a clear operational and functional understanding of time, frequency and time-frequency domain as well as dynamic range processing tools for audio in a variety of contexts
Students should be able to realise a sophisticated and meaningful music audio artefact from planning to distribution-ready master recording and demonstrate good practice at all stages of the production. They should also be able to reflect on their success and make relevant comparisons with commercially available artefacts.
Students should be able to re-purpose existing material via appropriate processing and editing to create remixes.
Academic and graduate skills
Autonomous task planning and implementation
Ability to advance individual knowledge and understanding
Initiative
Problem solving
Flexibility and adaptability
Commitment and motivation
Analytic skills
Self-management
Self-motivation
Organisation and planning
Lateral thinking
Time management and prioritisation
Engagement with the unfamiliar
Independent learning
Reviewing progress
Indicative assessment
Task
% of module mark
Essay/coursework
100
Special assessment rules
None
Indicative reassessment
Task
% of module mark
Essay/coursework
100
Module feedback
Mark and feedback provided within the University designated turnaround time
Indicative reading
Katz, Bob Mastering Audio: the Art and the Science, Focal Press
Moylan, William The Art of Recording: Understanding and Crafting the Mix, Focal Press
Corey, Jason Audio Production and Critical Listening, Focal Press