See module specification for other years:
2022-232023-24
Module summary
This project will study film music from before and during the silent era, the Golden Age of Hollywood, the changing trends of the 1950s and finally the re-emergence of the full orchestral soundtracks of the 1970s that are still influencing today's scores.
Module will run
Occurrence
Teaching period
A
Semester 2 2024-25
Module aims
The project aims to develop your familiarity with the history of film music composition, the development of style within genres and periods, national trends and critical reception.
Module learning outcomes
At the end of the module you:
Should have a broad knowledge of film music from the late 19th century to the present day
Should understand the importance of the Golden Era of film music
Should understand the relationship between music and the image
Should understand the underlying stylistic changes in film music across the eras and how these arose
Should understand the basic process of film composition and the relationship between the studio and the composer
In your independent work, you should demonstrate Learning Outcomes C1-6.
Module content
The project will be largely delivered through lectures including case studies of composers or films. Early explorations in film music (or the intimation of sound in silent film) will be the starting point moving out towards areas such as the orchestral, almost Wagnerian, use of music in the work of composers such as Korngold, Steiner and Tiomkin, the introduction of popular culture into the soundtracks of the 50s and the particular relationship between directors and composers/music (for example, Hitchcock/Hermann or Tarantino).
Indicative assessment
Task
% of module mark
Essay/coursework
100
Special assessment rules
None
Indicative reassessment
Task
% of module mark
Essay/coursework
100
Module feedback
You will receive written feedback in line with standard University turnaround times.