The stone churches and carved monuments of Anglo-Saxon England are perhaps the most perceptible, widespread, and easily accessible works of art from this period of English culture.In the churches, often enveloped in later modifications, it is possible to disentangle the former early structures, and to identify the sources of architectural ideas that often lie in structures as far afield as Rome and Jerusalem. Together with the carved monuments (such as those at Ruthwell in Dumfriesshire and Masham in North Yorkshire), produced during the 8th and 9th centuries, they reflect the institutional concerns of their patrons, while at the same time raising questions concerning their perceived audiences. The later, Viking-age, sculptures, on the other hand, betray a complex interaction of Christian narrative with Scandinavian military taste and heroic mythology.
This module will focus on these structures as a means of exploring the arts of the stone builders and carvers of this early medieval period, and the complexities surrounding the production, decoration, and the roles of the patrons and audiences of these most public of early medieval arts.
Module learning outcomes
a familiarity with the many ways in which stone was employed in the period
an understanding of some of the issues involved in the cultural transmission of the visual languages displayed in architecture and stone carving of the region
a knowledge of some of the major monuments of the period and their historical context
an understanding of some of the complexities of imagery and meaning in Anglo-Saxon sculpture
an awareness of the various scholarly approaches to the material and the factors informing them
Indicative assessment
Task
% of module mark
Essay/coursework
100
Special assessment rules
None
Indicative reassessment
Task
% of module mark
Essay/coursework
100
Module feedback
For the summative assessment task, students will receive their provisional mark and written feedback within 25 working days of the submission deadline. The tutor will then be available during student hours for follow-up guidance if required.
Indicative reading
Bede, A History of the English Church and People (Penguin Classics / any edition)
H.Mayr-Harting, The Coming of Christianity to Anglo-Saxon England (London, 1987)
J.Campbell (ed.), The Anglo-Saxons (London, 1982/1991)
J.Hawkes, The Golden Age of Northumbria (Newcastle upon Tyne, 1996)
D.M.Wilson, Anglo-Saxon Art from the Seventh Century (London, 1984)
L.Webster & J.Backhouse (eds), The Making of England: Anglo-Saxon art and culture AD 600-900 (London, 1991)