- Department: History of Art
- Credit value: 20 credits
- Credit level: I
- Academic year of delivery: 2023-24
The module introduces students to the varied arts of early medieval Ireland and Britain, the major works of art and architecture current in the region at this time, the issues involved in cultural transmissions of the visual, and the role historic art can play in constructing identity and ethnicity in the modern world.
Occurrence | Teaching period |
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A | Semester 1 2023-24 |
The art of the Insular World (the islands of present-day Ireland and Britain) allows a vivid insight into the radical changes, economic, political and social, that marked the region in the early middle ages. It is a period that saw a continual migration and settlement of different ethnicities into the region and which, by the eleventh century, had made its mark on a complex society with an economically powerful ruling elite that embraced both ‘Church’ and ‘State’. It is a period that saw the continual activity of Christian missions both into the Insular world from the continental mainland, and into Europe from Ireland and Britain. It is thus a period that saw a constant interaction of cultures and traditions, pagan and Christian, secular and ecclesiastical, oral and literate, Northern European, Mediterranean and Byzantine. By studying the arts (jewellery-making, painting, carving) used to decorate a wide range of media (metalwork, manuscripts, ivory, stone and wood) produced in the region during this period we will explore the complexities of a visual culture that could be shaped by such interactions and, at the same time, could be consciously employed to shape perceptions of those cultures.
By the end of this module, students should have an understanding of:
The arts of different media current in the Insular world
A knowledge of the historical contexts of the major monuments and artworks of the period and the region
Some of the issues involved in the cultural transmission of the visual languages of the time and place
Some of the complexities of imagery and meaning in early medieval religious art
The various scholarly interactions with the material and the factors informing them
Task | % of module mark |
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Essay/coursework | 100 |
None
Task | % of module mark |
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Essay/coursework | 100 |
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