- Department: History of Art
- Module co-ordinator: Prof. Sarah Brown
- Credit value: 90 credits
- Credit level: M
- Academic year of delivery: 2022-23
- See module specification for other years: 2021-22
- Notes: This is an independent study module
Occurrence | Teaching period |
---|---|
A | Summer Term 2022-23 |
Building on the modules Basic Glass Handling and an Introduction to Stained Glass Conservation, History and Theory of Stained Glass Conservation, and Painting on Light and Conservation Studies I and II in which historical, theoretical and practical approaches to the conservation of stained glass will have been explored in the protected environment of the departments teaching workshop, the studio placement will enable students to put their skills to the test in the real world. They will take on projects that test their abilities to translate theory into practice in an environment in which targets, timescales and budgets impose disciplines and pose challenges that cannot easily be replicated in a University context. The experience of working within a business, with colleagues, and outside with clients, custodians, consultees and heritage bodies will be an invaluable aspect of this phase of the training. In addition to sharpening the practical tools at their disposal, skills of advocacy, presentation and project management may be developed. The placements will also introduce students to a wider range of projects of greater scale and complexity
On completion of this module, students should have acquired:
Task | Length | % of module mark |
---|---|---|
Essay/coursework Placement report |
N/A | 100 |
None
Task | Length | % of module mark |
---|---|---|
Essay/coursework Placement report |
N/A | 100 |
Tutors are in contact with students by email during their placement and at least one pastoral visit is made to the host studio during the placement period. Written feedback is given on the summative essay (normally by week 7). Placement hosts are also asked to supply a short assessment of the students performance, although this does not form part of the formal assessment.
In addition to the bibliographic requirements of the taught modules, students will be expected to familiarise themselves with key works concerning the sites on which they will work during their placement.
Exemplar:
Placement: York Glaziers Trust Project: York Minster Great East Window
Brown, Sarah, Stained Glass in York Minster, London 1999
Brown, Sarah, York Minster: An Architectural History c1220-1550, Swindon 2003
French, Thomas, York Minster, The Great East Window, Oxford 1995
Rickers, Jill, Glazier and Illuminator: The Apocalypse Cycle in the East Window of York Minster and its Sources Journal of Stained Glass XIX no. 3, 1994-5, 265-279.
York Glaziers Trust, Stained Glass Quinquennial Report, 2007
York Minster East Window Advisory Group, Minutes and Reports, 2006-2008