Studying at York
Transmissions & Connections - HOA00012C
Module summary
This module focuses on processes of transmission, using eight pairs of culturally complex artworks as case-studies. Transmission is widely defined to encompass the history of ideas, motifs, materials, people and objects, including changes in the function and reception of individual works over time.
Module will run
| Occurrence | Teaching period |
|---|---|
| A | Spring Term 2022-23 |
Module aims
This module focuses on processes of transmission, using eight pairs of culturally complex artworks as case-studies. Transmission is widely defined to encompass the history of ideas, motifs, materials, people and objects, including changes in the function and reception of individual works over time. While the emphasis is on European art and architecture, a significant number of case-studies were made elsewhere or have histories that reach across other parts of the globe. The module will introduce some of the major publications and debates around those objects, and also reflect on the extent to which these publications are tied to the time and place of the scholars creating them. While the case-studies are organized chronologically, covering the sixth to the twenty-first centuries, the module will challenge period divisions and linearity, and will also critically engage with concepts relevant to the study of transmission, such as global history, networks, ‘appropriation’, ‘reception’, ‘influence’, and provenance.
Module learning outcomes
- A sense of historical perspective, acquired through a study of case studies
- An ability to explore links between works of art and architecture across space and time
- An in-depth understanding of selected objects and their cultural complexity
- A critical understanding of key concepts regarding processes of transmission
- Be able to work in a group
Indicative assessment
| Task | % of module mark |
|---|---|
| Essay/coursework | 100 |
Special assessment rules
None
Indicative reassessment
| Task | % of module mark |
|---|---|
| Essay/coursework | 100 |
Module feedback
You will receive feedback on assessed work within the timeframes set out by the University - please check the Guide to Assessment, Standards, Marking and Feedback for more information.
The purpose of feedback is to help you to improve your future work. If you do not understand your feedback or want to talk about your ideas further, you are warmly encouraged to meet your Supervisor during their Office Hours.
Indicative reading
- Michael Baxandall, Patterns of Intention: On the Historical Explanation of Pictures, New Haven 1985
- James Elkins, Is art history global? New York, 2007
- Isabelle Graw, High Price. Art Between the Market and Celebrity Culture. Cologne 2008
- A. Nagel, Medieval Modern. Art out of Time, London 2012
- Avinoam Shalem, ‘Dangerous claims: on the “othering” of Islamic art history and how it operates within global art history’, in: Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften 40.2 (2012), pp. 69-86
- G. Feigenbaum and I. Reist (eds), Provenance. An Alternative History of Art, Los Angeles, 2012
- Maxine Berg (ed.), Writing the History of the Global. Challenges for the 21st Century, Oxford, 2013, pp. 1-18
- Diana Newall (ed.), Art and its global histories: a Reader, Manchester 2017