- Department: History of Art
- Credit value: 20 credits
- Credit level: I
- Academic year of delivery: 2022-23
- See module specification for other years: 2023-24
This module will explore the various ways in which it was deemed possible – or impossible – to present the sacred visually in late antiquity, early Christianity and early Islam
Occurrence | Teaching period |
---|---|
A | Autumn Term 2022-23 |
This module will explore the various ways in which it was deemed possible - or impossible - to present the sacred visually in late antiquity, early Christianity and early Islam - cultures that had varied and often strongly opposing views about visual representation in sacred contexts.
It aims to give students an introduction to:
By the end of this module, students should have an understanding of:
Task | % of module mark |
---|---|
Essay/coursework | 100 |
None
Task | % of module mark |
---|---|
Essay/coursework | 100 |
You will receive feedback on assessed work within the timeframes set out by the University - please check the Guide to Assessment, Standards, Marking and Feedback for more information.
The purpose of feedback is to help you to improve your future work. If you do not understand your feedback or want to talk about your ideas further, you are warmly encouraged to meet your Supervisor during their Office Hours.
The one book that will be fundamental to the module is:
H. Belting: Likeness and Presence: The History of the Image Before the Era of Art (Chicago, 1994)
Other publications of interest might include:
CD-ROM: Images of Salvation: The Story of the Bible Through Medieval Art (York, 2004), in the JBM but also available for purchase at student rate through the Christianity and Culture Project (Berwick Saul Building; http://www.christianityandculture.org.uk/ )
J. Elsner, Imperial Rome and Christian Triumph (Oxford, 1998)
J. Lowden, Early Christian and Byzantine Art (London, 1997)
L. Rodley, Byzantine Art and Architecture: an Introduction (Cambridge, 1994)
E. Ferguson (ed.), The Encyclopedia of Early Christianity, 2 vols (N.Y., 1997)
P. Murray & L. Murray (eds), The Oxford Companion to Christian Art and Architecture (Oxford, 1996)
L. Ouspensky, Theology of the Icon (Crestwood, N.Y., 1992)
O. Grabar, The Formation of Islamic Art (Yale, 1973/1987)
R. Ettinghausen & O. Grabar, The Art and Architecture of Islam, 650-1250 (Harmondsworth, 1987)