- Department: History
- Credit value: 20 credits
- Credit level: I
- Academic year of delivery: 2022-23
Whether it was a love of Horrible Histories, family trips to museums, or an inspirational schoolteacher, most people come to university to study history not because they have read an academic textbook but because they have engaged with the past in some other format. Indeed, we can find historical narratives in a wide range of places from newspapers to videogames as well in memorials and museums, in novels or films, in the heritage sector or on the Internet. The vast majority of people who enjoy history are not those working within universities but part of a wider ‘public’. They supply an audience for history, but may also be actively involved in producing historical knowledge.
This course will focus on these public understandings of the past, exploring the complex and varied ways in which historical representations are created, consumed and put to use in non-academic settings. Who are the main audiences for these formats? What kinds of historical stories do they tell? How are these stories researched and generated, and what happens as they pass from one cultural medium to another (‘re-mediation’)? How is history used and abused? Why are some periods of history so attractive to wider audiences and not others? What is the relationship between public forms of history and the histories produced by academia? In exploring these questions, this course will interrogate how narratives of the past function in our society. We will focus both on theories of public history and on examples of current practices and methods.
Occurrence | Teaching period |
---|---|
A | Autumn Term 2022-23 |
The aims of this module are:
Students who complete this module successfully will:
Teaching Programme:
This 20-credit module consists of sixteen twice weekly lectures delivered in weeks 2-9, plus one round-up session in week 10 and eight 90 minute discussion groups.
Seminar topics are subject to variation, but are likely to include the following:
An introduction to key concepts, definitions, and debates
History and politics
Space, place, and local history
Public histories in York [site visit]
History in Schools: Education and the curriculum
Beyond the Classroom: Horrible Histories and more
Commemoration and public history: An introduction
Commemorative Events: Case studies
Museums as history places
Current museum practices and challenges (guest lecture TBC)
As Seen on Screen: Historical accuracy and period dramas
Representation on Screen: Whose histories?
Family History: Virtual connections from TV to the internet
Surveying the digital landscape
Re-mediation: An introduction
Re-mediation: Eighteenth-century case studies
Task | % of module mark |
---|---|
Essay/coursework | 100 |
None
Students will be required to write a 2,000-word procedural essay for formative assessment, due in either week 5 or week 7 of the autumn term. They will then complete a 2,000-word essay for summative assessment, due in week 1 of the spring term.
Task | % of module mark |
---|---|
Essay/coursework | 100 |
Following their formative assessment task, students will typically receive written feedback that will include comments and a mark within 10 working days of submission.
Work will be returned to students in their discussion groups and may be supplemented by the tutor giving some oral feedback to the whole group. All students are encouraged, if they wish, to discuss the feedback on their procedural work with their tutor (or module convenor) during student hours. For more information, see the Statement on Feedback.
For the summative assessment task, students will receive their provisional mark and written feedback within 20 working days of the submission deadline. The tutor will then be available during student hours for follow-up guidance if required. For more information, see the Statement of Assessment.
For term time reading, please refer to the module VLE site. Before the course starts, we encourage you to look at the following items of preliminary reading:
De Groot, Jerome. Consuming History: historians and heritage in contemporary popular culture. Abingdon: Routledge, 2008.
Kean, Hilda and Paul Ashton (eds). People and their Pasts: Public History Today Basingstoke: Palgrave Macmillan, 2009.
Samuel, Raphael. Theatres of Memory: Past and Present in Contemporary Culture. Verso, 1996.