Studying at York
Black Writers of the Global Nineteenth Century - ENG00104H
Module summary
In this module, we’ll explore the global texts and contexts of nineteenth-century anglophone Black writers. Their narratives of love and death, desire and betrayal, race and racism will comprise the heart of our module, and we’ll also consider these texts using methods from Black Studies and Critical Race Theory. We’ll examine Black British, American, and Caribbean memoirists, novelists, poets, and journalists and consider their literary innovation in the face of nineteenth-century racial politics. Together, we’ll trace the ways Black writers from this period often appear to read and write back to one another, and we’ll ask—and hopefully begin to answer—important questions about race and literary history, canonicity, and genre.
Key questions at work in our module include: When and why do nineteenth-century Black writers challenge traditional literary form in these texts? Where do we see nineteenth-century Black writers in conversation with one another, and what legacy does that leave to twenty-first-century writers? How can we use scholarly methods from Black Studies and Critical Race Theory to analyse these texts and their implications?
Module will run
| Occurrence | Teaching period |
|---|---|
| A | Semester 2 2024-25 |
Module aims
The primary aim of this module is to immerse you in the complex and diverse tradition of global nineteenth-century literature produced by Black authors. While some or perhaps even all the primary materials under consideration may be new to you, this module invites you to expand and enrich your understanding of literary history. You will also practice methods from Black Studies and Critical Race Theory.
Module learning outcomes
On successful completion of the module, you should be able to:
-
Demonstrate an advanced understanding of and engagement with the anglophone literary history of Black nineteenth-century authors
-
Demonstrate an advanced understanding of and engagement with the politics of race at work in global nineteenth-century literature
-
Evaluate key debates within the relevant critical fields of Black Studies and Critical Race Theory
-
Produce independent arguments and ideas which demonstrate an advanced proficiency in critical thinking, research, and writing skills.
Indicative assessment
| Task | % of module mark |
|---|---|
| Essay/coursework | 100 |
Special assessment rules
None
Additional assessment information
Throughout the module, you will have the opportunity to pitch, road-test, and develop essay ideas. Feedback will be integrated into your seminars or the ‘third hour’ (i.e. the lecture or workshop).
You will submit your summative essay via the VLE during the revision and assessment weeks at the end of the teaching semester (weeks 13-15). Feedback on your summative essay will be uploaded to e:Vision to meet the University’s marking deadlines
Indicative reassessment
| Task | % of module mark |
|---|---|
| Essay/coursework | 100 |
Module feedback
You will receive feedback on all assessed work within the University deadline, and will often receive it more quickly. The purpose of feedback is to inform your future work; it is designed to help you to improve your work, and the Department also offers you help in learning from your feedback. If you do not understand your feedback or want to talk about your ideas further you can discuss it with your tutor or your supervisor, during their Open Office Hours
For more information about the feedback you will receive for your work, see the department's Guide to Assessment
Indicative reading
-
Mary Prince, The History of Mary Prince, A West Indian Slave (1831)
-
Frederick Douglass, A Narrative of the Life of Frederick Douglass (1845)
-
William Wells Brown, Clotel, or The President’s Daughter (1853)
-
Mary Seacole, The Wonderful Adventures of Mrs. Seacole in Many Lands (1857)
-
Hannah Bond, The Bondwoman’s Narrative (c. 1861)
-
Harriet Jacobs, Incidents in the Life of a Slave Girl (1861)
-
Frances E.W. Harper, Iola Leroy (1892)
-
Sutton Griggs, Imperium in Imperio (1899)
-
W.E.B. Du Bois, The Souls of Black Folk (1903)