“No Musick’s better than the Winds do make”: Soundscapes in seventeenth-century women’s writings
Supervisors: Mark Jenner and Emilie Murphy
My research, funded by CONACyT, will examine how seventeenth-century women engaged with their soundscapes mainly through poetic forms. Through an interdisciplinary perspective - history, literature and music - my thesis aims to show how sounds can illuminate the way historical individuals interacted with their bodies, the natural world and society, and explore the relationship between sound and emotions beyond a strictly musical context.
‘The Syntax of Soundscapes in Margaret Cavendish’s The World’s Olio (1655)’, Symposium of Sound, Durham University, Durham, UK, September, 2018
‘Song and Verse: a place for political debate’, Speech, Sound, and Dialogue in Early Modern Culture 1500-1700, University of York, York, UK, April, 2018
‘De viajes hablaban todos: las fuentes contemporáneas de Gulliver’s Travels’, Coloquio, Jonathan Swift, 350 años, Universidad Nacional Autónoma de México, Mexico City, April, 2017
‘México en la Inglaterra de Swift, Atisbos del Catálogo Electrónico “México Imaginario”’, Coloquio, Jonathan Swift, 350 años, Universidad Nacional Autónoma de México, Mexico City, April, 2017
De viajes hablaban todos: las fuentes contemporáneas de Gulliver’s Travels, in Jonathan Swift y El Archipiélago de los espejos: Ensayos conmemorativos a 350 años de su nacimiento. UNAM, 2019
Pastillas para curar la melancolía: cancioneros para almas abrumadas. Revista Marabunta, August 25th 2019, year 6. Vol. 16
Chair of the CREMS Postgraduate Forum, the Cabinet of Curiosities
Member of the Early Modern Soundscape Network