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Christina Lodder

Honorary Fellow

BA University of York

Phil University of Sussex

 

Christina Lodder has published extensively on Russian art of the early twentieth century. Although her research has mainly focused on avant-garde developments, especially Constructivism and Suprematism, it has also extended to looking at the various ramifications of these movements on art and design in the rest of Europe. Since 2013, she has been President of the Malevich Society, and she is also co-editor of Verlag Ferdinand Schoeningh’s (formerly Brill’s) Russian History and Culture series.

 

Her numerous publications include  Russian Constructivism (1983); Constructing Modernity: The Art and Career of Naum Gabo (co-author, with Martin Hammer, 2000); Gabo on Gabo: Texts and Interviews (co-editor, with Martin Hammer, 2000); Constructive Strands in Russian Art (2005); Rethinking Malevich (co-editor, with Charlotte Douglas, 2007); Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond (co-editor, with Maria Mileeva and Maria Kokkori, 2013); Aleksei Gan's Constructivism (translator, editor, author of introduction, 2013); and Celebrating Suprematism: New Approaches to the Art of Kazimir Malevich (editor, 2019). She is currently working on a book about Moscow’s art school, the Vkhutemas, which was the Russian equivalent of the Bauhaus.

Contact details

Dr Christina Lodder
Honorary fellow
History of Art