Third conference for Court, Country, City: British Art 1660-1735 research project
The King's Manor, University of York
Histories of British Art is the third and final conference organised as part of 'Court, Country, City: British Art 1660-1735', a major research project run by the University of York and Tate Britain, and funded by the Arts and Humanities Research Council.
Held at the King’s Manor in York, this three-day conference includes a drinks reception at York City Art Gallery and a visit to Beningbrough Hall (built 1716) for a private viewing of the National Portrait Gallery’s collection of over a hundred artworks from the period.
Confirmed keynote speakers:
The conference will include a range of international speakers presenting research on the following panels:
Conference organiser: Claudine Van Hensbergen
11th September 2012 Update. This conference is now full. If you wish to go on waiting list, please email clare.bond@york.ac.uk
Registration for members of the University of York
There are a few free places available to University of York postgraduate students and academic staff. Please email clare.bond@york.ac.uk to register. These places do not include lunch, the Beningbrough Hall trip or the Conference Dinner.
Please see our Information for Delegates web page.
Abstract submitted to date abstracts submitted to 30 July 2012 (PDF , 235kb)
Histories of British Art Programme (PDF , 329kb)
Day 1 Thursday 20 September |
Day 2 Friday 21 September |
Day 3 Saturday 22 September |
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11.00-12.00pm Registration & coffee 12.00-12.30pm Lunch 12.30-1.00pm WELCOME Mark Hallett followed by Penelope Curtis 1.00-2.30pm KEYNOTE ADDRESSMalcolm Baker (University of California, Riverside) Chair: Mark Hallett 2.30-3.00pm Tea and Coffee 3.00-5.00pm SESSION 1
Karen Hearn (Tate Britain 1990-2012, University College London) Craig Ashley Hanson (Calvin College, Michigan)
Lydia Hamlett (University of York/Tate Britain) Susan E. Gordon (University of Leicester) Lauren Dudley (University of Birmingham)
Caroline Good (University of York/Tate Britain) Amy Todman (University of Glasgow) Peter Forsaith (Oxford Brookes University)
Sarah Moulden (University of East Anglia) David A. Brewer (Ohio State University) Jacqueline Riding (University of York) Kate Retford (Birkbeck College) 6.30-8.00pm Drinks Reception at York City Art Gallery |
9.00-10.30am KEYNOTE ADDRESSDiana Dethloff & Charles Ford (University College London) Chair: Nigel LLewellyn 10.30-11.00 am Tea & coffee 11.00-1.00pm SESSION 2 Panel 5: Art & Virtuosi Stephen Lloyd (Independent Art Historian) Helen Pierce (University of Aberdeen) Arlene Leis (University of York)
Erin Griffey (University of Auckland) Helen Wyld (National Trust) Susan Jenkins (English Heritage)
Simon Turner (Independent Art Historian) Ailsa Hutton (University of Glasgow) Emily Mann (Courtauld Institute)
Martin Myrone (Tate Britain) Anne Puetz (Courtauld Institute) Peter Moore (University of York/Tate Britain) 1.00-1.45 pm Lunch Visit to Beningbrough Hall
1.45 pm Meet at the King's Manor Porter's Lodge to be escorted to coaches in Marygate 2.00pm Coaches set off from Marygate to Beningbrough Hall 2.30-5.30pm Visit to Beningbrough Hall (National Trust) 5.30pm Depart Beningbrough for York
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9.00-10.30am KEYNOTE ADDRESSDavid Solkin (Courtauld Institute) ‘From The Escape of Charles II’ to The Life of Charles I: The first revolution in English history painting’ Chair: Martin Myrone 10.30-11.00am Tea & coffee 11.00am-1.00pm SESSION 3 Panel 9: Rebuilding projects Anya Matthews (Courtauld Institute) Eleonora Pistis (University of Oxford) Peter N. Lindfield-Ott (University of St Andrews) Panel 10: The Later Stuarts (II): Image and reception Claudine van Hensbergen (University of York/Tate Britain) Brett Dolman (Historic Royal Palaces) Sebastian Edwards (Historic Royal Palaces)
Margaret Dalivalle (University of Oxford) Darragh O’Donoghue (Trinity College, Dublin)
Richard Stephens (University of York) Rudolf Dekker (Huizinga Institute, Amsterdam) Richard Johns (Royal Museums Greenwich) 1.00-2.00pm Lunch
‘Court, Country City?: reflections on the present state of the field’Chaired by Martin Myrone (Tate Britain) 3.15pm: CLOSING REMARKS Mark Hallett (University of York)
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