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Recent and forthcoming publications

Boriana Alexandrova

Nicoletta Asciuto

Derek Attridge (Emeritus)

David Attwell (Emeritus)

Jennie Batchelor

Clare Bielby

Lola Boorman

John Bowen

  • "Dickens’s Theatre of Cruelty", Dickens and Decadence eds. Giles Wheatley, Jonathan Foster (Edinburgh University Press, forthcoming 2025)
  • "Winston’s Desires, Orwell’s Politics", Cambridge Quarterly, (54:3, September 2024)
  • (ed.) George Orwell, Nineteen Eighty-Four (Oxford World's Classics, 2021)

Janine Bradbury

  • Sometimes Real Love Comes Quick & Easy (ignitionpress, 2024)
  • "Contemporary Literature From the Classroom: Post-45 Contemporaries", Contemporary Literature From the Classroom: Post-45 Contemporaries (2024)
  • "The Ancestor, Passing, and Imagination' in Toni Morrison’s God Help the Child", Bloomsbury Handbook to Toni Morrison, eds. Linda Wagner-Martin, Kelly Reames (Bloomsbury, 2023)

Jonathan Brockbank

Matthew Campbell  

Anthony Vahni Capildeo

Olivia Carpenter

Olivia is Reviewing Editor for the Journal of Victorian Culture

Maya Caspari

Claire Chambers

Claire Chambers is the co-editor for two book series: Routledge's Global Literature: Twenty-First Century Perspectives and Manchester University Press's Multicultural Textualities. With Kaiser Haq, she also edits the six-volume Cultural History series for Bloomsbury, A Cultural History of South Asian Literature. Previously, she was Editor-in-Chief of the Journal of Commonwealth Literature (SAGE) for over a decade.

Victoria Coulson

  • "Norms of Embodiment and Transgender Recognition: The "Wrong Body" Problem, the Taboo on Translocation, and the Case of Henry James", in Novel: A Forum on Fiction (56.2, August 2023)

Brian Cummings

Mary Fairclough

Alice Hall

Alice Hall is editor of Liverpool University Press's Representations: Health, Disability, Culture and Society series. This series includes works on disability, illness, ageing, sexuality, gender, race, affect, care, technology, and the body as spectacle. It encompasses a broad historical range, from the Early Modern period to the present day, and engages with a rich variety of cultural forms including films, novels, comics, medical texts and public exhibitions.  

Dave Harper

Ezra Horbury

Thomas Houlton

Shazia Jagot

Shazia Jagot is a co-editor of the international journal, postmedieval which publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions to the journal are characterised by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. She is also editor of the book series, Oxford Studies in Medieval Literature and Culture, which showcases the plurilingual and multicultural quality of medieval literature
  • The Vocabulary of Wisdom in Old Norse Poetry (Liverpool University Press, forthcoming)
Holly James-Maddocks is co-editor, with Orietta Da Rold, of the book series York Manuscript and Early Print Studies, for York Medieval Press (an imprint of Boydell & Brewer)

Kevin Killeen is the editor of Renaissance Studies, a multi-disciplinary journal which publishes articles and editions of documents on all aspects of Renaissance history and culture. The articles range over the history, art, architecture, religion, literature, and languages of Europe during the period.

Alexandra Kingston-Reese

Alexandra Kingston-Reese is the editor of ASAP/J, the open-access platform of ASAP/Journal, the scholarly publication of the Association for the Study of the Arts of the Present. Like the association and print journal it serves, ASAP/J explores new developments in a variety of post-1960 arts, including literature, plastic and visual arts, digital arts, music and sound art, performance, architecture and design, mixed media and intermedia arts, and so on. ASAP/J provides a forum for dialogue among and between scholars and practitioners of the contemporary, and it seeks to advance our collective knowledge of our own elusive contemporaneity.

Daniel Matore

Jon Mee

Juliana Mensah

Emilie Morin

Emilie Morin is co-editor of the Clemson University Press book series Modernist Constellations, and is on the Editorial Board of Samuel Beckett Today/Aujourd'hui, a journal that fosters dialogue on Beckett across languages and cultures.

Alison O'Byrne

Melissa Oliver-Powell

Jane Raisch

Namratha Rao

Hannah Roche

Deborah Russell

Erica Sheen

Erica is a member of the Editorial Board of Adaptation and an editor of the journal LiteratÅ«ra

Helen Smith

Helen Smith is editor of Literature and History, and for the Bloomsbury Early Modern Material Cultures series

David Stirrup
David is a founding co-editor of Transmotion 

Natasha Tanna

Matthew Townend

Elizabeth Tyler

  • ‘Writing History and the Politics of Language in Eleventh-Century England: Latin, English, Norse, French, Welsh and Irish’ in Profile del Secolo XI, LXXI Settimana di Studio (forthcoming 2025)
  • 'Translatio imperii et studii: Reading Imperial Geographies with the Old English Orosius’  in Bulletin of the Institute of Classical Studies (forthcoming 2025)
  • The Languages of History-Writing in the Ninth-Century: An Entangled Approach’, with Máire Ní Mhaonaigh, Journal of Medieval History 47 (2021), pp. 451-471

Anna Wall

  • 'Commentary and Identity' in The Oxford Handbook of Global Commentary, eds. Walid Saleh, Suzanne Conklin Akbari, Elisa Brilli, Amanda Goodman and Kenneth Yu (Oxford University Press, forthcoming) 
  • 'Lucy Hutchinson' in The Routledge Companion to Renaissance Literature, ed. Catherine Bates (Routledge, forthcoming)
  • 'Precept upon precept'; biblical commonplacing in Lucy Hutchinson's Memoirs', The Seventeenth Century Journal (38.3, 2023) 

Richard Walsh

Jim Watt

JT Welsch

Claire Westall

Chloe Wigston Smith

James Williams

James Williams is an editor of the Cambridge Quarterly, an OUP journal of literary criticism which also publishes articles on cinema, the visual arts, and music. Founded in 1965, Cambridge Quarterly was conceived as the successor to the famous Scrutiny, but quickly established its editorial independence. It aims, without sacrifice of scholarly standards, to engage readers outside as well as inside the academic profession.

Lauren Working