What constitutes a style? When we talk about the essay we often characterise it as playful, as resistant to completion, to ending, as dwelling in the fragment, all features that would suggest a subtle aversion to totalising meaning. But the essay is also a persuasive form, a method of argumentation however meandering. How are we to think about essayistic style as caught between the observational and the aggressive? As Joan Didion claims in her essay 'Why I Write' - itself a writerly response to George Orwell - "setting words on paper is the tactic of a secret bully, an invasion, an imposition of the writer's sensibility on the reader's most private space." The three essays we are reading this week expose and experiment with the notion that the essay's formal playfulness might disguise its ideological, philosophical, and literary assertiveness. Each essay also considers how individual styles are folded into various stylistic traditions and literary models. Readings available via
Essayisms Google Drive or as webages below: