Thesis
Plays and Performance in the Country House: The 'Bijou' Theatre at Chatsworth
This interdisciplinary project explores the Chatsworth House theatre, an exceptionally well-preserved and nationally-significant example of a late-nineteenth century private theatre created by the celebrated scenic artist, William Hemsley in 1896. A biographical approach will be taken to understand this space from its inception as a Banqueting Room in the 1830s to today, and to situate it in local and national narratives of the country house. Surviving stage sets and archival sources will be used to reconceptualise and reinterpret this space, shedding light on the construction of class and gender identities within the household, estate and wider community. New forms of creative content will be developed, making the spaces and stories of Chatsworth’s Victorian theatre more accessible to visitors and better known to scholars and curators.
Biography
Biography
Following the completion of my BA (Hons) in History of Art at Bristol, I trained as a performer at the London Academy of Music & Dramatic Art. I worked as an actress for ten years (which means 75% doing anything BUT acting, including: tutoring (Maths), managing a commercial art gallery, failing as a receptionist at Sotheby's) before undertaking my MA in Conservation of Historic Buildings here at York. Following graduation, I pursued a freelance career across Heritage and performance.
My PhD research comes off the back of my interest in Joseph Harker, an eminent scene painter in the late nineteenth- and early twentieth-centuries, and co-leading a campaign to prevent his historic studio from being converted into flats (YouTube: "pathe Joseph Harker" to see him at work in 1922). My research into the theatre at Chatsworth is funded by the White Rose College of Arts & Humanities (WRoCAH).
Research
Research Interests
Victorian scene painters, storytelling in heritage contexts, biographical approaches to archaeology, vernacular buildings, conservation methods, the built legacy of urban to rural migration in the early C20th.
External Activity
External Activity
2015
Talent Development Campus - Talent campus organised by the Cork Film Festival, Cork, Ireland
Go Short Campus - Talent campus organised by the Go Short International Short Film Festival, Nijmegen, The Netherlands
Summer Media Studio (SMS) - 12-day workshop organised by the Lithuanian Academy of Music and Theatre, Neringa, Lithuania
2016
Pre-selector, BFI Future Film Festival
2017
Reykjavik Talent Lab, 2017 - Talent campus organised by the Reykjavik International Film Festival, Reykjavik, Iceland
2018 to 2020
Film Programmer and Festival Coordinator, International Documentary Festival ‘Beyond Borders’ in Castellorizo, Greece
Publications
Publications
Calf, Louise. Crombie, Peter. Eckert, Grit. (2019). Scene-painting in the twentieth-century, a case study: Harkers Studio. Traditional Paint News, 4(01), 35-43
