A computational model of analogical thinking as a framework for creative decision-making in music composition
Investigating theoretical work surrounding analogy-making from the field of cognitive science to create novel compositional methods for the creation of a portfolio of music-based, creative works.
British composer and musician making computer-aided electronic and acoustic work across disparate musical contexts, including: classical concert music; church music; opera; film; and theatre.
Composition; Algorithmic Composition; Cognitive Science; Analogy; Music & Meaning