Michael Cordner
Emeritus Professor

Research

Overview

I have published five editions (of, in total, seventeen plays by eight dramatists).    I am also founder and general editor of Oxford English Drama for Oxford University Press.  The series has now published thirty-five collections of plays (from Elizabethan revenge tragedies to a collection of c.1900 ‘New Woman’ plays).  The remit I set myself was to expand the repertoire of drama available (and at affordable prices), in radically re-edited texts, which would be freshly alert to performance issues and challenges, and also much more pro-active and thorough than earlier editions in aiming to explain everything likely to puzzle or mislead modern readers.  

From that project developed a series of articles on what seems to me to be the failure of modern Shakespeare editing – and the editing of early modern drama more generally – to make good on its promises to be genuinely performance-friendly.  

My most recent publications focus on two main areas – the processes by which modern concepts of how to train actors to tackle the distinctive demands of early modern scripts have developed (and some of the problems those concepts bring with them), and the challenges of performing the early Jacobean comic repertoire today.

Supervision

I have supervised MA and doctoral work on a wide range of early modern topics, including Fletcherian tragicomedy, sexual punning in Jacobean comedy, the representation of prostitution in the early modern theatre, the development of comic styles in the 1630s, and the touring performance practices of the 1590.   I have also supervised nineteenth- and twentieth-century projects, including on Maeterlinck, Strindberg, and Beckett, on Forced Entertainment and Frantic Assembly, and on the directing career of Gregory Doran.

I would welcome PhD proposals on any aspect of English theatre 1580-1737, on post-Second World Theatre, and on comic scriptwriting and performance in theatre, film and television.

Publications

Selected publications

Editions

• George Farquhar, The Beaux' Stratagem (Ernest Benn, 1976)
• Sir George Etherege, Plays (Cambridge University Press, 1982)
• Sir John Vanbrugh, Four Comedies (Penguin Books, 1989)
• Four Restoration Marriage Plays (Oxford University Press, 1995)
• Richard Brinsley Sheridan, 'The School for Scandal' and Other Plays (Oxford University Press, 1998)

Co-edited Volumes

• (with Peter Holland and John Kerrigan), English Comedy (Cambridge University Press, 1994)
• (with Peter Holland), Players, Playwrights, Playhouses: Investigating Performance, 1660-1800 (Palgrave Macmillan, 2007)

Recent Articles

• 'Etherege's She Would If She Could : Comedy, Complaisance and Anti-Climax', in Michael Cordner, Peter Holland, and John Kerrigan (eds.), English Comedy (Cambridge University Press, 1994), 158-179
• 'Annotation and Performance in Shakespeare', Essays in Criticism , 46 (1996), 289-301
• 'Repeopling the Globe: The Opening Season at Shakespeare's Globe, London 1997', Shakespeare Survey , 51 (1998), 205-217
• 'Zeal-of-the-Land Busy Restored', in Martin Butler (ed.), Re-Presenting Ben Jonson: Text, History, Performance (Macmillan, 1999), 174-192
• 'Playwright versus Priest: Profanity and the Wit of Restoration Comedy', in Deborah Payne Fisk (ed.), The Cambridge Companion to English Restoration Theatre ( Cambridge University Press, 2000), 209-225
• 'Actors, Editors, and the Annotation of Shakespearian Playscripts', Shakespeare Survey , 55 (2002), 181-198
• '"To Show Our Simple Skill": Scripts and Performances in Shakespearian Comedy', Shakespeare Survey , 56 (2003), 167-183
• 'Are We Being Theatrical Yet?: Actors, Editors, and the Possibilities of Dialogue', in Barbara Hodgdon and W. B. Worthen (eds.), A Companion to Shakespeare in Performance (Blackwell, 2005), 399-414
• '"Wrought with Things Forgotten": Memory and Performance in Editing Macbeth ', in Peter Holland (ed.), Shakespeare, Memory and Performance (Cambridge University Press)
• 'Sleeping with the Enemy: Aphra Behn's The Roundheads and the Political Comedy of Adultery', in Michael Cordner and Peter Holland (eds.), Players, Playwrights, Playhouses: Investigating Performance, 1660-1800 (Palgrave)
• ‘A Mad World, My Masters: From Script to Performance’, Shakespeare Bulletin, 31 (2013), 3-28 
• ‘The Malcontent and the Hamlet Aftermath’, Shakespeare Bulletin, 31 (2013), 165-190 
• ‘(Mis)advising Shakespeare’s Actors’, Shakespeare Survey, 66 (2013) 
• ‘Mapping The Dutch Courtesan’,  at http://www.dutchcourtesan.co.uk/mapping-the-dutch-courtesan/
• ‘Franceschina’s Voice’, at https://www.dutchcourtesan.co.uk/franceschinas-voice/
• ‘The Dutch Courtesan, 1964’, at https://www.dutchcourtesan.co.uk/the-dutch-courtesan-1964/
• ‘A Restoration Vanishing Act: The Case of Thomas Betterton’s Groin’, in Mary Luckhurst and Emilie Morin (eds.), Theatre and Ghosts: Materiality, Performance and Modernity (Palgrave Macmillan, 2014), 143-162 
• ‘George Rylands and Cambridge University Shakespeare’, in Andrew Hartley (ed.), Shakespeare on the University Stage (Cambridge University Press, 2014)

External activities

Memberships

In March 2005 I co-organised, with Professor Peter Holland (University of Notre Dame, US), a conference on ‘Players, Playwrights, Playhouses: Investigating Performance, 1660-1800’ at the Huntington Library, California.  The proceedings of that conference, which I also co-edited, were published by Palgrave Macmillan in 2007.   In 2016, I was invited to return to the Huntington, to give the final paper (on ‘“Speak That I May See Thee”: Performing Jonson in the Twenty-First Century’) at a two-day conference on the anniversary of the 1616 Jonson First Folio.

I frequently read manuscripts for publishers and also referee articles for periodicals.

I especially enjoy, however, working with professional companies on productions of early modern repertoire – most recently, on Simon Godwin’s 2016 National Theatre production of George Farquhar’s The Beaux’ Stratagem.

Invited talks and conferences

In March 2005 I co-organised, with Professor Peter Holland (University of Notre Dame , US ), a conference on 'Players, Playwrights, Playhouses: Investigating Performance, 1660-1800' at the Huntington Library, California . The proceedings of that conference, which I have also co-edited, will be published by Palgrave in 2007.